jmeglx.me | u-he MFM2 More Feedback Machine Delay Plugin
Shares Our Verdict It might be overkill for simple delay tasks, but if you want something substantial that goes far beyond the territory of traditional echo boxes, MFM 2 is perfect. Pros Great delays Flexible, semi-modular routing system. Gorgeous u-he filters.
Review: u-he More Feedback Machine 2
Tweet On top of all this, PSP gives you reverb and distortion knobs for each band. The reverb comes in two different flavors, either spring or plate. Just like with the PSP 85, discussed earlier, you can use the reverb in combination with the delay to turn a simple sound source into a wide pad. The Drive controls simulate tape saturation. You can adjust the saturation globally across all eight bands, or set each one individually, complete with a control for whether you are saturating pre or post delay.
The demo clip below takes full advantage of the eight bands, slowly closing the filter as the delay disappears into mono. You can, however, go with a far subtler effect and use the for a ultra fast slapback. Despite all of the options, the is extremely easy to use. The eight bands all have the same functions and a little poking around will generally yield a pretty unique sound.
You can end up doing a lot more with it than you had planned. Runner Up: Cargo Cult Slapper Slapper employs a unique visual approach to representing and manipulating a must-delay, complete with full surround capabilities.
It uses a graphical interface to show the state of the multi-delay, giving visual feedback as the source pass through each of them. This representation of time and level allows you to fully grasp how your delay is functioning, leading to a more intuitive workflow without sacrificing sound.
The top area of the plugin shows a graph, displaying delay time on the X axis and delay level on the Y axis. This area also shows the high and low pass filters for each band. You can drag any of the delays around the space, creating ultra-wide surround echos. Between the two options, you can create a delay that wraps around the listener, bouncing across 7. One effect that worked really well in my tests was to use the surround space for a rhythmic delay that accents other parts of the arrangement.
There is no reverb in the plugin, however. Category 5: As opposed to having a winner and honorable mention here, these two delays sit on their own, each offering completely unique takes on a timeless effect. If you know nothing about the MFM2 and simply listen to my sound test, you might mistake it for a simple multi-delay.
Developed by a company that focuses primarily on creating unique digital synthesizers, the MFM2 adopts a familiar look with a slew of options for filtering and modulation. As a mixing engineer with a limited understanding of synths, the MFM2 freaks me out whenever I load it up. Each line includes a multimode filter with controls for cutoff and resonance.
On the other side of the plugin, there are four LFOs with eight waveform options and user-definable curves. Any of the four delay lines can be routed across any of the 4 customizable LFOs.
You can modulate a delay signal statically through just one of them, or dynamically move a filter across the spectrum. For my tastes, the MFM2 is often a bit much. The unconventional design is bit difficult to get used to after years of using more straightforward delay units. The DDLY is fit to create wild effects, with a dynamic delay engine that can change in response to the sound sources you feed it.
Here, you can really hear how the delay reacts differently to the elements of the kit, creating a unique rhythmic complement for this highly dynamic source. The core of the plugin is found in two separate delay channels.
The real star of the show here however, is that threshold control. Combining two unique delay tones and accenting only certain parts of the source is something that no other single plugin can really do. Final Thoughts The above have become some of my favorite delays, from ones I use everyday to others that come in handy in a pinch. If I missed one of your favorite delays, be sure to let me know which one in the comments below, and why you think it should make the list!
Sights and sounds
MFM 2 certainly has more controls than your average delay plug-in. a multimode resonant filter sporting seven of u-he’s acclaimed filter types. I’m tempted by MFM2 but I’m unsure about it But, if there ever is an update, U -he have historically been very good about doing right by. Privacy Statement · u-he · jmeglx.me Products @ I’ve had MFM2 for years and it’s been my goto delay VST. It seems to do what I need.
Tweet On top of all this, PSP gives you reverb and distortion knobs for each band. The reverb comes in two different flavors, either spring or plate. Just like with the PSP 85, discussed earlier, you can use the reverb in combination with the delay to turn a simple sound source into a wide pad. The Drive controls simulate tape saturation.
U-he Uhbik (Mac/Win) Quick Pick Review
As the name hints, this plug-in is all about delay effects. In the early days of native plugins, MFM1 was well ahead of its time.
VIDEO REVIEW: MFM2 – More Feedback Machine | Cakewalk Forums
I do only use one delay which is u-he’s MFM2. I know the interface is pretty intimidating but it puts all other delays I have tried to shame. Preset Bank for u-he’s More Feedback Machine 2 – KB. 50 patches plus 18 variations focusing on twisting Beats and creating rhythmical textures out of. U-he has a great weird delay plugin called MFM2 that I use as a great complement to Soundtoys Echoboy. Echoboy makes delays with some really great.